| Feature Article |
ONE OF A KIND: The
Floyd Stewart Frog/Human Effigy Pipe
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By D.R. Gehlbach
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Figure 1 - Sandstone frog/human
effigy pipe, profile view showing abrading grooves.
Photos by the author.
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Every so often a strangely configured
artifact is found that appears to defy interpretation.
That is the situation
in the case of the subject effigy pipe. In profile the
effigy impersonation is a recognizable sculpture of a
frog in the round. But it also has one additional feature
that is out of place, making it a one of a kind piece
among similarly configured effigies. The out of place
feature is a human-like face which is carved in relief
at the rear of the pipe (Figure 3). This sculpture will
be examined further in this article as will its relationship
to the frog carving and the pipe’s intended applications.
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Figure 2 - Front/side view
showing facial features and appendages.
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The prehistoric Mississippians crafted a relatively large
number of pipes in effigy form. It has been determined
by researchers and ethnographers that most of the effigy
depictions represented animals with special non-human
qualities believed to help sustain native/human
populations. The Mississippians believed animals, birds
and amphibians
had defined roles which impacted the welfare of humans.
Frogs, according to Mississippian beliefs, originated
in the so-called lower world, or water world, beneath
the earth’s surface. Inhabitants of this lower world
had to be respected and accommodated because this is where
evil spirits lived. These spirits were perceived as a
continuing threat to man.
Pipe smoking was felt to be the means to demonstrate
an affinity with and pacify evil spirits. Pleadings and
devotions could be successfully transmitted using the
symbolic frog as an intermediary. A tobacco-based smoking
mixture with intoxicating qualities was used to produce
the necessary hallucinogenic trance to process the devotions.
As stated, the frog effigy was the key to producing successful
entreaties. Most Mississippian communities used similar
pipes in their rituals.
What makes this subject frog effigy pipe unique when
compared with similarly configured examples is its additional
adornments. The frog sculpture itself is fairly well executed.
Its details include protruding eyes, a deeply inset mouth
and front legs carved in relief (Figure 2). A series of
parallel abrading grooves appear on one side of the pipe
(Figure 1). Some effigy pipes of a similar nature have
abrading or sharpening grooves usually on the underside
of the specimen. The incised markings could be the result
of using a convenient surface for sharpening tools or
the specially carved grooves might have affirmed a ritual
connection with the overall sculpture. As mentioned, the
frog representation was likely employed to appease lower
world spirits.
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Figure 3 - Rear
view showing human face carved in relief.
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A sculpted human face at the rear
of the pipe is the most unusual and perplexing feature
on the pipe. As Figure
3 shows, a human face was carved in relief at the bottom
of the rear of the pipe, slightly below the stem opening.
The human face is depicted within an overall relief motif.
Noticeable features are the long, narrow, slightly expanding
human nose, mouth and lips, and jutting chin. The pipe’s
finder, Floyd Stewart, felt the stem opening may have
represented one of the effigy’s eyes. The remaining
eye might have been represented by a small circular cavity
shown in juxtaposition with the stem hole (hard to see
in the photograph). The relationship of the frog effigy
to the human depiction is a matter for speculation. Because
all the design features appear to be inter-connected,
the combined frog/human symbolism may have been of considerable
influence during smoking events.
The ritual activities involving the frog image have been
discussed as well as the possible reasons for the grooves
carved on the side of the pipe. The human depiction may
be an ancestor, a legendary leader, the image of a ritual
leader/shaman or those present at the smoking event. A
deliberate effort was likely made to involve the human
image in certain ritual activities.The impersonation might
have been sculpted to establish a strong human connection
or bond with certain under world spirits being witnessed
at the event. The fact that the human carving faces the
smoker is significant. It would appear the human carving
was placed so it would directly interface with the process
of inhaling and exhaling smoke, perhaps symbolically providing
additional support for the smoking mission. The sensuous
human representation also would have served to help sanctify
smoke-filled pleadings, the frog again serving as the
facilitator. Its substantive use may always be a matter
of conjecture.
The pictured sandstone frog/human
effigy pipe stands as a unique example of prehistoric
art created during
the Mississippian era between about A.D. 1250 and 1450.
It was found by Floyd Stewart in Spencer County, Indiana
in 1971 and was pictured with Floyd’s collection
in Who’s Who in Indian Relics, Volume 3. It measures
5-1/4” by 2-1/2”.
by D.R. Gehlbach
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